Tuesday Two Step: Vienna Ditto and Owls of the Swamp

Welcome back to the Two Step, where weeks of seminary papers have left me feeling like this.

London-based trio Vienna Ditto was kind enough to send me over the video for the title track of their Liar Liar EP. On this track, the group manages to mix electro-beats with rockabilly guitar riffs to create something that sounds like it would be floating in the background of a bar scene in a spy movie. The song feels grimy in all the best ways. Lead singer Hatty Taylor’s vocals provide the perfect mood for the story this song wants to tell and the abrupt change at the end of the track (a switch to a more electronic-driven take on the main riff) brings out just how catchy the chorus can be. You can check the video out below and listen to the rest of Vienna Ditto’s Liar Liar EP here

Melbourne, Australia’s Owls of the Swamp just released their new single “The Hypnotist” and I’m thrilled to add them to the growing list of Australian bands with awesome names that I love. The swirling acoustic guitar riff seems to lull you into a cocoon of sound, effectively hypnotizing the listener. (I’m sure that was the point) Pete Uhlenbruch weaves a narrative of a hypnotist pining over lost love with piano and vocal assistance from The Swell Season’s Markéta Irglová. The vocal combination of the two produces some great melancholy indie-folk music with more emotion than my headphones could hold at times. Simply put, it’s a beautiful song. You can (AND BETTER) listen to “The Hypnotist” on the Owls of the Swamp Bandcamp page.

Overcoming Panic

Yeah, this is a day late. Once again, seminary papers rarely play along with plans both professional and sentimental.

For as long as I care to remember, I’ve been terrified of needles. When someone even begins to talk about blood being drawn or injections, my arms almost instinctively curl up in a T-Rex position so people can’t get at my veins. It was hard to even type those last couple of sentences. Real Talk.This is not an uncommon occurrence, however, I know exactly how that fear escalated.

When I was eight, my mom took me to get a “drive-thru flu shot.” I don’t know how common this practice is in the rest of the world, but it’s an almost yearly occurrence in Stillwater. It’s fairly innocuous if you’re an adult. They simply take what is usually inside the hospital and put it on the outside. It’s safe, it’s clean, and it’s quick and you can go about your day uninhibited. I see why they do it, especially with something so mass marketed (as much as something medical can be) as a flu shot.

But when you’re an eight-year-old kid with a history of shirking away from needles, this is the most terrifying prospect known to man. In my head, I imagined someone from the McDonald’s drive-thru lane holding a syringe like a knife waiting to jab me as hard as he could. I imagined us driving away from the lane with the needle still stuck in my arm. This was mae even more terrifying by the last person I saw working a drive-thru. He was an old man, missing a few teeth, and he had a skullet, the scariest of all haircuts. For those of you who are fortunate enough to be unaware of the skullet, I’ll illustrate. It’s a cousin to the mullet, but instead of business in the front, there is nothing but a bald scalp. Around the rim of the head is a ring of long scraggly grey hair that could easily be taken into a ponytail, though it never is. This man was who I envisioned performing medical procedures on me. Obviously, I didn’t want to go.

My mom talked me down, convincing me that it would be just like the doctor’s office. She knew I didn’t like that either, but I had made it out alive from shots there several times, so I was inclined to believe her. When we pulled up, on my mom’s side of the car was the nice, friendly looking, smiling nurse she had promised me. On my side, however, was the biggest, buffest, most jacked male nurse I have ever seen. All my fears had come true. I turned to my mom and managed to squeak through my throat tightening up, “You lied to me!”

What I saw when I looked over I didn’t quite comprehend (because I was having an anxiety attack) but looking back I know what it was. My mom was frantically signaling to the nurse on her side of the car for her to switch sides with Nurse Hulk so I wouldn’t be so scared. While I was panicking, she was trying to make it all okay.

That’s a lot of my relationship with my mom. Every time I get anxious or scared, she tries to make it okay. It’s not that she comes swooping in to fight all my battles for me, not at all. But every time I’m nervous about an uncertain future, or feeling completely isolated, or I think that something is just too much, she’s there to comfort me and tell me that it is going to be okay. She’s the first person I call when I need someone to understand or offer encouragement or advice. I’ve been convinced many times over that her hugs could cure anything that ailed me.

My mom always makes sure to tell me that she reads what I write here or watches the cover videos I’ve been putting up on Facebook. To this day I think she’s the only person who’s listened to the podcast Chase and I did. She always tells me that she loved it. It may seem like she’s supposed to do that because she’s my mom (and maybe she is) but as someone who’s spent a lot of time trying to be liked to varying degrees of success, it means the world to me that ANYONE enjoys this dumb stuff I put on the internet.

A lot of people have given me a lot of bad advice over my 23 years, but when my mom tells me it’s going to all be okay? I believe her every single time.

Finals Week is a Conspiracy

Actually it’s not a conspiracy, and neither is ‘dead week,’ but you clicked, so I’m happy.  This post really is about finals week, though, so keep reading.

I’ve noticed something strange during my time in college.  Everyone gets really stressed out during the last week of the semester (the Facebook tells me this definitively), but I can’t figure out why.  Finals week is suspiciously like every other week, except you have less things to do and you can eat every meal at taco bell if you want to because everyone accepts “it’s finals week” as a valid excuse.  Sounds pretty good to me.

But we’re all stressed out by the idea of finals week, even if the reality isn’t usually that bad.  Consciously or subconsciously, we think college is less legitimate if finals week isn’t awful, so we make it horrible in our minds to build up the importance of ourselves, as college students.

I do feel cool and contemporary if I go study at Panera during finals week, admittedly.  And maybe I feel a little more contemporary if I paint myself as a struggling college kid trying to synthesize six months of information into a comprehensive understanding of some obscure subject, but I don’t think that little self-esteem boost is worth the inaccurate image of myself it’s built upon.  So I’m pretty okay with seeing myself as just a person who likes broccoli cheddar soup and looks at funny pictures on the Internet with a textbook laying forgotten at the edge of the table.

For me, that’s a much less stressful way to think about finals week.  And since I’m such an open-minded, community-oriented, hyphenated-adjective college student, I won’t even be mad if you want to adopt that same way of looking at finals week.

Seriously, though, relax.  You’re not alone, you’re not doomed, and summer is almost here.  Good luck everyone!

Tuesday Two Step: Hoodie Allen and Kina Grannis

Today in the Two Step we’ve got new music from rapper Hoodie Allen, who’s managed to keep himself busy this year, releasing a mixtape, touring to support it, and almost immediately heading back to the studio for more. FUSE TV invited him to team up with Kina Grannis and gave them 24 hours to write, record, and perform a new song. The resulting track is “Make It Home.” Sonically reminiscent of Hoodie’s earlier “No Faith in Brooklyn,” Hoodie uses the track to tell the story of his rise from obscurity. It’s clever work as usual from Hoodie, though I wonder if he regrets that Geno Smith shoutout now that Smith is playing for his Jets. Kina Grannis’s vocals on the chorus are stunning. Her voice and acoustic work add a new layer to the track and I would love to see more collaborations between them. “Make It Home” is another new direction for Hoodie Allen after his recent Crew Cuts and it’s a path I wouldn’t mind seeing him explore more.

Also from that FUSE set, Hoodie and Kina performed a cover of Walk The Moon’s “Anna Sun.” Grannis performs a stripped down acoustic version of the song that highlights her immense vocal talent and it’s a cool change of pace from the original. Hoodie adds in by mashing it up with “Small Town” from his album All American, a versatile track that always seems to find its way into indie rock mashups recently. It’s a fun cover and it looks like the pair had a good time doing it. You can check it out below

Cloud Coverage: NOOOOOOOOOOOOOOOOOO!

As I’m sure you’ve all seen at this point, Russell Westbrook is having surgery today to repair a torn meniscus suffered in the second quarter of Wednesday’s game against the Rockets. This is, of course, bad news. I went full Michael Scott walking down the Boulevard at SMU when I saw the news on Twitter.

Westbrook embodies the Kellen Winslow ideal. He’s a soldier. He’s the closest thing I’ve seen in the NBA to an Iron Man, both Tony Stark and Cal Ripken. He is, until tipoff tomorrow night, the active leader in consecutive games played at 439. He never missed a game at UCLA, and while it’s not documented, he says he never missed a game in high school. It is a big dang deal that he isn’t playing.

That being said: He might not be out for long. Yahoo’s Adrian Wojnarowski is reporting that the injury is a minimal tear and that Westbrook could return in a matter of weeks, not months. Recently, Metta World Artest came back from a meniscus tear in 13 days. It’s foggy, but when he was at OU Blake Griffin came back from one in something like a week. We can rebuild him. We have the technology.

What do the Thunder do in the meantime, though? Hopefully the answer is win games and give Russ some time to rest. Reggie Jackson will probably (hopefully) get the keys to the offense and I’m excited to see how he works with the first team. He’s made a few plays recently that has me dreaming about him being a beard away from a Sixth Man trophy. The Thunder will definitely miss Westbrook’s production, but we may get to see a rare Kevin Durant performance in his absence. Much like his doppleganger Jamie Foxx, we may see KD go full Django on the Rockets these next few games. Unfortunately we also get more Derek Fisher. My beef with him is well documented on this site. I wonder how much “veteran leadership” translates into buckets nowadays.

So we’ve got a heartbreaker on our hands. We’ll see if the Thunder rise to the occassion or if the Rockets and that guy with the beard who flops a ton have an opportunity to steal one. I think Jackson is going to slot in well, and maybe Scott Brooks brings in Jeremy Lamb as a sharpshooter rather than giving DFish 20 minutes. But I’m an optimist, not a basketball player. So away we go.

I saw DC Pierson do comedy, and also, a brief reflection on human nature

If I hadn’t read The Book Thief, I’d probably say that the main theme of Kurt Vonnegut’s Mother Night is that people are capable of extraordinary kindness and chilling evil, and trying to predict which one to expect from someone at a given time is a fool’s errand.  But because I cherish the idea that there really are Hans Hubermanns in the world, and that good character can consistently produce good actions, Mother Night left a different impression on me.

It made me think about whether society can distinguish between when a person is diseased and when that person has realized his world is.  So that thought has been living in my head this week, right next to a haunting sentiment from the back of a Whataburger cup: “when I am empty please dispose of me properly.”

It was against this backdrop of dark existential amusement that I stayed up all night doing schoolwork.  And it was in a state of acute awareness of my own physical need to sleep that I got to see DC Pierson, author of The Boy Who Couldn’t Sleep and Never Had To, do standup comedy.  I read that book about a year ago, a book about “A kid who dreamed so hard it exploded from his head and into the world, promising everything.” (Page 226).

DC Pierson was hilarious, and like all truly hilarious people, part of his humor came from his seriousness.  A couple of times he used the phrase “apparently, the nature of reality…” and his smirk dared the audience to guess whether or not he was joking.  As far as I can tell, he was, barely.

But as I listened to Pierson’s riotously-funny-slash-borderline-tragic stories, and that line from his book drifted back to me, my squirming insides felt a little bit better about Mother Night’s bleak vision of humanity.  Dreams explode out of people in terrible and wonderful ways, and because of the mark those dreams leave it’s impossible to separate people from the world.

To use an obvious example, society did a bad job realizing that the world was in fact the diseased entity when dreams exploded out of Martin Luther King, Jr.  But King’s dreams flashed so hard and so strong that it eventually it didn’t matter that society initially thought he was crazy.  Just as easily as they can destroy, dreams can be the first step in a remedy.

So I’m glad I got to see DC Pierson, because he was a well-timed reminder that just because something is sad doesn’t mean it’s not also funny.  And he was a reminder of how important sleep is.

Tuesday Two Step: Australia Strikes Back

Welcome back to the Tuesday Two Step, in which I get to share a couple tracks that have been sent my way. This week we’re keeping things rolling with two more groups from Australia (Australia has really been doing work sending me music. Well done!) that I hope you’re going to enjoy.

First up we have Byron’s Bay hip-hop group The Hated and their new single “Lord’s Life.” This is a fun track, featuring a chilled beat and laid-back flow. The three members of The Hated trade rhymes back and forth about “living the dream.” They’re out to have fun with their friends, go on adventures, and not worry about the real world. There’s more than a little bit of Mod Sun’s brand of “hippy-hop” in The Hated’s sound, and that’s what makes it fun. Sometimes it’s good to take a break from the grind and live the “Lord’s Life.” You can check out “Lord’s Life” above, and if you like that,  you can get a free download of the new EP from The Hated here

BTTW Image

 

From Melbourne, we’ve got the (incredibly named) Better Than The Wizards and their new single “Don’t Give Your Love.” This track is a rush. It sounds like pop-punk and funk playing chicken down the freeway at 90 miles-an-hour. The guitar break in the middle is more than enough greatness for me to heartily recommend this to you. If you’re looking for something to get you out of your seat and dancing, no matter what you’re doing when it comes on, look no further. If you’re in the Melbourne area (and checking the recent stats on the site, that may be a lot of you) you should definitely check out Better Than The Wizards tomorrow night at The Toff In Town with Irrational Confidence favorite The Simon Wright Band. Even if you’re stateside like me, check out “Don’t Give Your Love” above and get ready to have a little more fun today.

 

Cloud Coverage: In Praise of Second Best

You don’t need me to tell you this, but Kevin Durant just turned in one of the most transcendent offensive seasons in NBA history. He becomes only the sixth member of the 50/40/90 club, reserved for players that shoot 50% from the floor, 40% on 3-pointers and 90% from the free throw line. (He’s the eighth if you count the seasons had by Steve Kerr and Jose Calderon in which they hit the percentages but didn’t make enough shots in a category to qualify for the “league leaders” list.) Durant is also the youngest player to make it into the club and his 28.15 points per game is the second highest scoring average for a 50/40/90 season behind Larry Bird’s 29 PPG in the 1987-88 season. So yeah, this was pretty good. Continue reading

The Simon Wright Band Brings Groovy Tunes from Down Under

Simon Wright

I’m still new to this music reviewing thing. I still get super stoked when I get something new in my inbox to listen to and I hope I’m always excited to listen to new things. But this is the first time I’ve listened to something and got giddy at the prospect of being able to share this with all of you.

Coming out of Melbourne, Australia, The Simon Wright Band brings a smooth sound over on their new EP, Live at 52. The band thrives in this live environment, combining acoustic jams with soulful melodies and clever rapping. It’s like Ed Sheeran, Yelawolf, and Patrick Stump from Fall Out Boy crashed into each other in the Outback. I promise every bit of that comparison is a compliment. Simon Wright has a fantastic voice for funk and soul, and his flow on the spoken parts of the songs is equally impressive.

Lead single “Music” is the perfect example of how well the band works together. Wright, guitarist Mikey Chan, and bassist Nick Ohlson weave together three lines that compliment each other while maintaining melodic autonomy. Drummer Shane Evans knows just how to drive the groove without overcoming it, and his vocals are wonderful alongside Wright’s. Wright spins a narrative about finding love through music and his vocals on the chorus are exactly what you think this song would need, a soulful mix of longing with the right amount of confidence to let you know he’s got a shot at this girl.

The whole album is worth listening to, from the smoky “Music,” to the uptempo blues/funk seduction anthem “Baby Move,” to the Motown stylings of “When Good Things Fall Apart” and everything in between. The band switches styles effortlessly and keeps the energy and originality flowing forth. Each of the five tracks is so different from the ones before it but the constant is quality musicianship from the band and Simon Wright’s incredible white boy soul.

If you’re a fan of any artist in my haphazard comparison above, or of acts like Jason Mraz or The Shouting Matches, you should definitely pick up Live at 52. I’ve had it on repeat for a week while I tried to find the words to accurately describe how much I love it. Watch the video for “Music” below and pick up Live at 52 either on iTunes or at the Simon Wright Band’s website

 

Stephen Carradini and the Midnight Sons find new life on new album

After 40 months of wandering in the desert of creativity, The Midnight Sons have produced their second EP, New Life. The Midnight Sons are a rotating cast of musical characters fronted by friend of the site Stephen Carradini and filled out by whoever wants to play music with him at a given stage of his life. (Full disclosure: I was a Midnight Son for the first album, How We Lived) It’s a showcase for how much life changes art and influences the creation of something new.  New Life

On New Life Carradini offers seven new songs dripping with charm and filled with wonderfully relaxed indie-pop melodies. Stephen is a writer through and through and his lyrics will stick with you long after the album is over. “No Haters” may have one of my favorite lines in a while in its chorus: “Do unto others what they wouldn’t do for you.” His writing isn’t mere platitudes either. Opening track “Ghosts” is a deeply personal track about leaving what you know behind and starting a new adventure. Stephen’s lyrics make you feel things, and that goes a long way towards making me like your music even if you aren’t my friend.

He also understands what it takes to make a song memorable melodically. I’ve had “Denver Mint” stuck in my head intermittently for two years now since hearing it played once at a party and I’ve been waiting for the chance to hear it again since then. The rest of the album has that similar catchy quality. I dare you not to be singing along to any of these songs by the second chorus. Stephen and collaborator Adam Howard make a great team in making a fresh sound and the instrumentals have a refreshingly light feel.

Stephen and this version of the Sons have made something special here. New Life is a solid indie-pop album that can get your toes tapping in no time. You can download it here FOR FREE, so you really have no excuse not to pick this up.