I feel like I bring this up every time I write about a Thomas Rakowitz project, but what I love the most about what he does is the moods he creates. From the lonely, lost loops of “I’ll Find My Way Home” to his breakout work on Brian Altano’s Misanthrope, he adds the right color to anything he’s doing to paint something special. More than any technical proficiency (of which Rakowitz has plenty to spare, trust) this is what gets me excited to see what spaces he’s exploring each time he puts out something new.
So when I got around to his Future/Corrupted project, I was excited to see where the concept would take him. The five song EP is set in a post-robot apocalypse world and the music revels in the possibilities of the scene. Album opener “We Came From Fire and Flesh” alternates between sparse, bleak nothingness, possibly a symbol of what the world has become, and punishing heavy riffs, maybe a symbol of how it got there. Either way, Rakowitz’s guitar work shines bright here. The album has a few tricks up its sleeves as well. “Alpha/Omega Protocol (Directed Evolution)” has some vocal work on it that can only be described as unsettling in the best way. There’s an unease to the spoken words that continue to create this post-human landscape.
“Rise of the Machines” is the stand-out track. It’s a blistering 7 minute ride that gives everything you would expect from Thomas Rakowitz. Virtuosity mixed with a little bit of sludge, blasting drums, and a self contained little narrative that is a fitting bow on the project. I’m always thrilled to hear new work from Thomas and you should be too. Check out Future/Corrupted below.